I consider this to be self-conscious images that acknowledge their means of production while presenting sculptural events that stand ambiguously between art endeavor and catalog execution. The frames are painted the same color as the image background to address the photographs objecthood.
The works play with established notions of photographic representation disregarding the context they should belong to. I'm using conflicting contemporary visual languages- art, editorial, commercial- to produce possible variations of mental awareness. This series deflects narrative, minimizes meaning, champions accident and improvisation, while putting forth a place of heightened observation.