I consider this to be self-conscious images that acknowledge their means of production while presenting sculptural events that stand ambiguously between art endeavor and catalog execution. The frames are painted the same color as the image background to address the photographs objecthood.

Most of my pieces come from thoughts that are not yet formed as an idea. The results, devoid of explicit meaning or metaphor, point in every direction. The psychological remnant created by the violence inflicted on this narrative sometimes presents itself as absurdity but this is just a byproduct of what, it really is, a primal, somewhat idiosyncratic, experience of the world.